killing them softly commentary

There are a handful of violent set-pieces (most notably a long, drawn out pummeling that is legitimately hard to watch, and a slow-motion assassination/car-wreck that is impossible to look away from), but mostly, this is a picture in which a lot of men sit around and do a lot of talking. So yeah, he wrote some lovely words and aroused the rabble, and they went out and died for those words while he sat back and drank his wine and fucked his slave girl. The recent discovery that Chinese syndicates were funneling huge, multibillion-peso shipments of drugs through the “fast lane” portals of our Bureau of Customs with the obvious connivance of government officials has blown a gaping hole in the effectiveness of Mr. Duterte’s drug war. By Diogenes ( With said plague now well and truly upon us, our economy in shambles once more, our leadership utterly absconded from its responsibilities, and another bitter Presidential election just around the bend, there is no crime film—there is perhaps no film, period—more spiritually attuned to our current season in hell. Lots of people hate on it but I was fully engaged the entire time. Note what's going on: pity for another's suffering is itself painful to feel (that's what the word com-passion means). Cogan—who enters the picture accompanied to the sound of Johnny Cash’s Judgement Day ballad, “The Man Comes Around”—is both proselytizer and prophet, as evinced by his earlier declaration that “there’s a plague coming.”. Review: A listless mess of a mob movie, ‘Killing Them Softly’, kills you with pretentiousness. The 1973 movie of the same name, directed by Peter Yates and starring Robert Mitchum, is arguably just as influential—and brilliant—as the novel, and as harsh and harrowing a crime film as has ever been made. Although such an aggressively unsettling introduction is more reminiscent of a horror movie than your standard gangster picture, it is entirely fitting for the film we are about to watch, a beguiling and existentially terrifying descent into the American inferno that comes on with all the subtlety of a sawn-off shotgun blast to the face. Ever resolute and meticulous in fighting crime, the late strongman stopped the flow and use of drugs in his city-state through the strict, merciless enforcement of some of the toughest national security and drug laws in the world. ‘We’re one people.’ It’s a myth created by Thomas Jefferson…My friend, Jefferson’s an American saint. Dominik updates timeline and sets the story in a grimy New Orleans during the last days of Obama’s presidential campaign. Killing Them Softly is all spleen and venom, a feature length spit in the eye to the so-called ‘American Dream.’ Its bitter worldview is perfectly summed up in its jaw dropping final scene (courtesy of Dominik, who expands on the novel’s ending), in which Cogan is informed he’ll have to accept a smaller payout than he had counted on. Lowlifes Frankie and Russell (Scoot McNairy and Ben Mendelsohn) get themselves a big score by holding up a mob protected card game. We use cookies to ensure you get the best experience on our website. Driver is well-dressed, almost refined, especially in comparison to the mangy Frankie and Russell, but he serves as a reminder that class differences are often merely arbitrarily superficial: Driver, like Frankie and Russell, are part of the same illicit network, but one of them seems to live a comfortable life while the others wallow in the throes of addiction.

'Killing Them Softly' brings a nihilistic spirit to political commentary, and the result is uneven, but undeniably fascinating. Aside from a single appearance of a cellphone, the only thing that cues us into when the film takes place is the omnipresent specter of the 2008 Presidential election by way of its detritus—radio soundbites, television footage, billboard advertisements. How tough? They’re sewer-level. Admittedly, Killing Them Softly is not without its insights. So, how will the politicians of tomorrow pay off the mortgage today's politicians saddled them with? Since real life is already terrifying, October is... Margot Robbie And Allison Janney Can’t Save I,... Streaming Selections: Water Protectors of Wakpa Waste. Uniqlo, Regatta, & More Lifestyle Brands Are Back at Southwoods Mall! He followed that 7 years later with The Assassination of Jesse James by the Coward Robert Ford, a beautifully elegiac adaptation of Ron Hansen’s fictionalized telling of the betrayal and murder of the legendary western outlaw and folk hero. Entitlements, in the sense of the benefits promised by government-funded social programs, are a way in which politicians buy votes with your money. Actually, it’s wrong to call the film ‘despairing,’ as that imbues it with too much sentimentality. By contrast, Dominik has all the intellectual sophistication of a petulant, moody teenager who fancies himself a rebel, holding tightly to what he thinks is his one grand, important insight. Despite Higgins’ prolific output, prior to 2012, The Friends of Eddie Coyle was his only book to be adapted for screen. “America’s not a country, it’s just a business. Dominik mistakes his nihilistic anger for meaningful commentary in the same way he confuses wallowing in his (overwhelmingly male) characters’ vulgarity with exposing their inferiority to us. Pitt … [xrr rating=2.5/5]Awkwardly buoyed back and forth by brutal violence and hamfisted political commentary, Killing Them Softly resembles the unsavory aspects of America culture it attempts to criticize more often than not. It’s possible to imagine, for instance, a crime syndicate operating according to a different paradigm for social organization, but Killing Them Softly, probably rightly, suggests that this simply doesn’t, and maybe couldn’t, happen. Hontiveros asks Parlade: Should you be afraid of CA confirmation? Then the screen cuts quickly to black, before the first title card appears, reading: Although such an aggressively unsettling introduction is more reminiscent of a horror movie than your standard gangster picture, it is entirely fitting for the film we are about to watch, a beguiling and existentially terrifying descent into the American inferno that comes on with all the subtlety of a, As such, you’d assume it would skimp on visuals, but you’d be wrong—. MomK: Here's one that compares more than the sport and action of the movie. I loved Killing them Softly. Five years after that film’s disappointing reception, Dominick re-teamed with star and producer Brad Pitt for an adaptation of George V. Higgins’ 1974 novel Cogan’s Trade, quickly retitled Killing Them Softly. Narciso Reyes Jr. ([email protected]) is an international book author and former diplomat. He lived in Beijing in 1978-81 as bureau chief of the Philippine News Agency. Billy Crawford on being told by netizen that he, Coleen Garcia will break up: ‘Wag kang mag-alala’. [xrr rating=2.5/5]Awkwardly buoyed back and forth by brutal violence and hamfisted political commentary, Killing Them Softly resembles the unsavory aspects of America culture it attempts to criticize more often than not. The plot is secondary to the flavor of the movie. When rival crook Johnny Amato (Vincent Curatola) hatches a plan to rob a card game run by mob lackey Markie (Ray Liotta), he picks a low-rent thug named Frankie (Scoot McNairy) to do the job. There’s also enough of a tinge of dark humor to everything that the dreariness doesn’t reign. (Killing Them Softly was made in 2012, but is set in 2008.). Subtlety is for the rest of the world, where good manners and the illusion of optimism reign supreme. The first word spoken in Killing Them Softly is “America…”, as intoned by none other than Barack Obama and preceded by a discordant, dread-inducing drone. Your email address will not be published. While he’s clearly taking cues from the mob dramas of Martin Scorsese, his picture has more in common with the cosmic scope and menacing rhythms of Stanley Kubrick (see again that opening, which recalls no other film so much as it does The Shining). About ClickTheCity | Terms of Service | Privacy Policy | Disclaimer | Press | Career | Contact Us. In First World countries, however, the un-funded liabilities have reached the point where politicians now buy their votes with your children's money. Five Years Later: The Best Music of 2013. But Dominik never makes the criss-crossing linkages of, say, Steven Soderbergh’s The Girlfriend Experience, which easily transcends its potentially tired comparison of a high-end escort and her high finance clients.

) | Jun 06, 2006. From the first sequence, in which a man’s druggy yet purposeful gait is matched with the audio of a Barack Obama speech glitchily interspersed with the film’s opening credits, it’s clear that Dominik is making grand statements.

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Despite Higgins’ prolific output, prior to 2012, It’s small wonder that audiences, by and large, either hated the film (it received an.

Dominik goes even further than Higgins in tying the one to the other, having one middle management character bemoan the underworld’s utter lack of leadership and “total corporate mentality…”. The key to Lee’s astounding success was the institutionalization of his security apparatus into models of meritocracy, efficiency and professionalism. In fact, only 315 people were executed (after a reasonable trial in court) for drug-related crimes during Lee’s entire watch up to the present. For Jackie Cogan is not merely giving voice to noir’s inherent fatalism and cynicism, nor is he simply taking the political pessimist’s view of late stage capitalism. https://ww... Bleh: I mean... Blanche raped an underage boy... she didn't just seduce a paperboy...... Angie: Not a bad write up ..good read however to say Oasis stood for nothing..Amazing h... Me peepeebutt: Wow. Why the hell would it be any different? All comments are moderated. But despite its flaws, the film remains entirely beguiling, as well as deeply rewarding upon repeat viewings. Malcolm Muggeridge got it dead right thirty years ago: We're already witnessing the softening-up propaganda barrage. But as in the original novel, plot takes a backseat to character and setting, both of which are rendered through long scenes of argot-heavy, exposition-free dialog. It seems to me to turn to us at home and say: “Yes, the director wants me to say, ‘Hey, politicians are crooks,’ but you know that already.” And then they shrug and say: “Look, man, you already know all this. Killing Them Softly is but one in a long line of crime films to draw a direct parallel between the mafia and big business (see also: I Walk Alone [1947], Point Blank [1967], the first two Godfather films [1972/1974], and Scorsese’s Greed Cycle.

But the New Era Is Different. Their robbery of one of the mob’s poker games sets the entire film’s action in motion, but they are hardly the major players in this story. It'll be a lot easier if grandma and grandpa can be persuaded themselves that it's selfish to refuse euthanasia when their illness becomes expensive -- unselfish people, after all, steer scarce resources toward the young. They are merely bottom-feeders, the starting point in a film that maps the full continuum of the crime underworld’s hierarchical, caste-like structure. But its just part of this larger tapestry of immorality, the strange, funny and absurd existence constructed by the picture. Because it sets up the really crucial move, which is getting voting majorities to overcome their reluctance to kill off grandma and grandpa for the benefit of the public purse. And that’s more than worth seeing.

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